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| Published: September 30, 2024

Exploring Self-Transcendence in Kathakali Artists: Psychological, Spiritual, and Cultural Dimensions of Their Performance and Practice

DIP: 18.01.281.20241203

DOI: 10.25215/1203.281

ABSTRACT

Kathakali, an ancient theatre form from Kerala, India, is renowned for its unique fusion of literature, music, acting, and dance. Narrating stories from Hindu mythology such as the Ramayana and Mahabharata, Kathakali has evolved from a blend of Dravidian and Aryan traditions. This classical dance form is characterized by vivid costumes, expressive gestures, and intricate makeup, making it a celebrated art form both in India and globally. The primary objective of this research is to explore the self-transcendence experiences of Kathakali artists. It aims to understand how personal and professional aspects, such as personal tragedies, passion for Kathakali, religious practices, societal messages, and overall satisfaction in the artistic field, contribute to achieving self-transcendence. The study employs a qualitative research approach, conducting in-depth interviews with Kathakali artists. The participants were selected through purposive sampling to include a diverse range of experiences and backgrounds. The interviews focused on various aspects of their lives and careers, including their motivations, challenges, and the spiritual and psychological impacts of their art. The findings indicate that Kathakali artists experience significant self-transcendence through their dedication to the art form. Factors such as overcoming personal tragedies, deep passion for Kathakali, involvement in religious practices, and the societal impact of their performances play crucial roles in this process. The artists reported a profound sense of connectedness, wholeness, and personal growth as a result of their engagement with Kathakali. The study highlights the unique psychological and spiritual dimensions of Kathakali. Drawing on Pamela Reed’s theory of self-transcendence, the research shows that the artists expand their personal boundaries inwardly, outwardly, and temporally. This expansion leads to greater awareness of their values, dreams, and goals, as well as a deeper connection with others and their environment. Kathakali not only serves as a medium for artistic expression but also facilitates self- transcendence among its practitioners. The dance form’s integration of gesture, expression, and performance creates a holistic artistic experience that fosters psychological and spiritual growth. Understanding the self-transcendence experiences of Kathakali artists offers valuable insights into the transformative power of art and its significance in the cultural and spiritual landscape of Kerala. This research underscores the importance of preserving traditional art forms like Kathakali, as they provide a pathway for artists to achieve psychological and spiritual well-being. The study suggests that the practice of Kathakali can lead to a heightened sense of self-awareness, enhanced personal growth, and a deeper understanding of one’s connection to the broader community and environment. The findings also highlight the role of cultural and religious practices in supporting the artists’ journey towards self-transcendence, emphasizing the holistic nature of their artistic and spiritual practices. In conclusion, this research provides a comprehensive understanding of how Kathakali artists experience self-transcendence through their art. By exploring the intersection of personal and professional aspects, the study reveals the profound impact of Kathakali on the artists’ psychological and spiritual lives. The insights gained from this research contribute to a broader understanding of the transformative potential of traditional art forms and their role in promoting mental and spiritual well-being. This study advocates for the continued support and promotion of Kathakali, recognizing its cultural, psychological, and spiritual significance in the lives of its practitioners.

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Responding Author Information

Vismaya M @ vismayanair1918@gmail.com

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Article Overview

ISSN 2348-5396

ISSN 2349-3429

18.01.281.20241203

10.25215/1203.281

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Published in   Volume 12, Issue 3, July-September, 2024